that “ the problem is not a color problem.” “Whites need to step outside their skin and examine being American”. Some viewers would feel threatened and fearful at the loudness and the words. He demonstrates and backs up his anger with expressive body language. that he has condescending and racist views when at the beginning he states, “ Why can’t you be individuals?” Victor takes a huge risk in being real when he confronts David C. The group spends much time trying to convince David C. I am impressed at the risks these men take in a group setting to be honest (as honest as they can be at that moment). These men know they are being recorded for the purpose of expressing their views, teaching others and learning from each other. These men struggle in their honesty just how much to reveal to the group and to the film. “But having worked in Corporate America I cannot show my blackness”. Lee Mun Wah, facilitator- (Chinese-American” descent and “in China American means White”. Roberto- “Latino-Mexican-American” descent.The Color Of Fear 1994 Gordon- “7th-generation Euro-American form Scotch-English and German” descent and “I am a racist but I am trying not to be”. Yakata- “3rd-generation Japanese” descent.The Color Of Fear Vimeo Ross Portland State University, Follow this and additional works at: Part of the Communication Technology and New Media Commons, and the Philosophy Commons Let us know how access to this document benefits you. *Cyanophobia (from the Greek word kyanos, meaning ’dark blue’, and phobos, ’fear’) is the fear of the color blue.Cyanophobic sufferers may panic often because it is difficult for sufferers to avoid encountering that color since blue is commonly seen on everyday objects, although blue is rarely seen in nature apart from the sky and bodies of water. They self identify themselves as:ĭavid C.- “American” of English and Denmark heritage. Some are see themselves as acculturated to our White society. These men from diverse ethnic backgrounds share their experiences and are willing to explore their beliefs about racism, ethnicity, family history, and prejudices. The Color of Fear documents eight men and the facilitator, Lee Mun Wah, who attend a weekend retreat in Ukiah, California.
(Available from Stir-Fry Productions, Oakland, CA. (Producer, Director and Facilitator), & Hunter, M.
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